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PERCEPTION
SPACE
LIGHT
TIMELESS
PERCEPTION
SPACE
LIGHT
TIMELESS
TRANSLATING DIGITAL ATMOSPHERES INTO PHYSICAL FORM
PHYSICAL
PHYSICAL
The installation proposes a space where perception becomes dynamic: light constructs forms that exist only in the instant they appear. It is an exploration of light, material, and variation, unfolding in the interval between what is visible and what only occurs through movement in space. Within this shifting threshold, light becomes a quiet spiritual presence—subtle, contemplative, and guiding the viewer toward a slower way of sensing.
Suspensión Latente — 2025
Digital space is my starting point—a place to model atmospheres, light behaviors, and the subtle spiritual presence I sense beneath every form. What I bring into the physical world is not a replica but a translation: an attempt to reveal the intangible qualities of those images through suspended structures, translucent materials, and subtle spatial rhythms.
Digital space is my starting point—a place to model atmospheres, light behaviors, and the subtle spiritual presence I sense beneath every form. What I bring into the physical world is not a replica but a translation: an attempt to reveal the intangible qualities of those images through suspended structures, translucent materials, and subtle spatial rhythms.
BIOGRAPHY
BIOGRAPHY
B. 1994, Córdoba, Argentina
Bachelor’s Degree in Design, Universidad Provincial de Córdoba, Córdoba, Argentina (2012–2019), and Lighting Designer, Universitat Politècnica de Catalunya, Barcelona, Spain (2022–2023).
I have participated in various artist programs, including: #PALA22, coordinated by LAVA Gallery, Santa Fe, Argentina (2022), and the CUATROXCUATRO art clinic, led by artist Pablo Sinaí and curator Federico de la Puente, Buenos Aires, Argentina (2021).
I presented my solo exhibition Suspensión Latente at the Museo de Bellas Artes Ricardo Pedroni, Córdoba, Argentina (2025), and participated in LLUM BCN – Light Art Festival in Barcelona, Spain (2023).
My work focuses on the creation of sensitive atmospheres that subtly activate perception through moments of interruption and quiet disruptions. These environments are conceived as timeless spaces, where time loses its linear character and becomes a suspended condition. I am particularly interested in how silence, light, and spatial presence can generate states of contemplation, attention, and inner stillness within contemporary contexts.
Currently, my artistic practice is undergoing a process of experimentation in which I move from the digital environment into the physical realm, allowing the boundaries of perception to expand through tangible materials and forms that engage the senses and open up new sensitive possibilities for communication.